6 ways The Matrix is a powerful metaphor for the trans experience

Reiss Smith December 22, 2021
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Neo holding up his palm to stop a raft of bullets

Critics have long suspected that The Matrix was a metaphor for the trans experience. (Warner Bros)

Lilly Wachowski has confirmed that The Matrix is a trans allegory – and as the fourth film, The Matrix Resurrections, is released, here’s a recap.

Lilly wrote and directed the original trilogy with her sister Lana Wachowski – though she chose to sit out The Matrix Resurrections, which hits cinemas Wednesday (22 December).

The sisters are Hollywood’s most powerful trans filmmakers, having both come out in the years after the trilogy’s release, and Lilly has said it was the duo’s “original intention” for the original Matrix to be read as a trans narrative.

The Matrix was all about the desire for transformation, but it was all coming from a closeted point of view,” she told Netflix in an interview for its Film Club YouTube series.

“I love how meaningful those films are to trans people and the way that they come up to me say: ‘Those movies saved my life.’

“Because when you talk about transformation, specifically in the world of science fiction, which is just about imagination and world-building and the idea of the seemingly impossible becoming possible, that’s why it speaks it to them so much.

“And I’m grateful I can be a part of throwing them a rope along their journey.”

Queer critics have long interpreted the world of the Matrix through a trans lens, but for the uninitiated, Netflix rounded up some of the most notable metaphors in one easily-digestible Twitter thread.

1. Its very concept

Quoting the book Females by Andrea Long Chu, it began by summing up the Matrix’s transness in the simplest of terms.

“Neo has dysphoria. The Matrix is the gender binary. The agents are transphobia.”

2. Neo entering the real world and ditching his deadname

The scene in which Neo “wakes up” in the real world can be interpreted as the beginning of his transition.

Critic Willow Catelyn has previously noted how his decision to reject his birth name and start going by Neo is an obvious parallel to the trans experience.

Professor Eleanor Lockhart points out that the film’s villain, Agent Smith – who we now recognise as transphobia – insists on using Neo’s deadname throughout the series, with an emphasis on “mister”.

3. The red pill

A detail as small as the colour of the pill which changes Neo’s word – red – takes on new significant when viewed through a trans lens. In the ’90s, Chu explained, estrogen was literally a red pill.

4. Switch was supposed to be presented as trans

The biggest giveaway to the film’s true meaning might have been the character of Switch, had the Wachowskis had their way. Originally, Lilly has said, Switch was to present as a man in the real world, and as a woman in the Matrix.

Switch’s original identity as a trans masculine person dispels the notion that the Wachowskis have “retconned” the film after coming out. To any critics perpetuating this notion, Netflix gave a simple retort: “Who are you to tell not only a creator, but also a trans person, what was or wasn’t present in their minds while making their own film?”

5. Bullet time

Wrapping up its thread, Netflix notes how the film’s revolutionary visual effects can also be interpreted as representing the trans experience. Scholar Cael Keegan said as much in his book Lana and Lilly Wachowski: Sensing Transgender, which analyses the sisters’ place as the world’s most influential trans creators.

6. It was spelled out for us all along

Finally, the writer of the thread presents the end scene of The Matrix as perhaps the clearest sign of the Wachowskis’ intent.

Having defeated Smith and the Sentinels, Neo returns to the world of the Matrix. He makes a call promising the machines that he will free their prisoners.

“You’re afraid of us. You’re afraid of change,” he says before bursting into flight, triggering a “system failure”.

The last thing we see is the camera pushing between the letters M and F, “quite literally creating a space in between, and beyond, the gender binary”.

More: lana wachowski, lilly wachowski, The Matrix

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