Apple using double-standard for gay iPhone apps?
Apple is maintaining a double-standard when it comes to gay-themed iPhone apps, a developer claims. Attempting to draw publicity, Terry Ray claims that his iGaydar title was rejected from the App Store on the same day as Bruno — an app based on the Sacha Baron Cohen movie — was approved. iGaydar was rejected for “objectionable content,” despite being considerably less graphic than the Bruno app, according to Ray.
iGaydar pretends to detect a person’s sexuality, first displaying a random percentage and then announcing a tongue-in-cheek statement, such as “Honey, not even your priorities are straight.” By contrast the Bruno app lets users undress Cohen’s character, and touch various body parts which can elicit potentially offensive responses. Bruno is only on the App Store as a result of major studio backing and publicity, Ray charges.
Apple has rejected a number of apps with sex-related themes in the past, even when the titles did not show anything explicit. Naughty Loaded Dice was briefly blocked earlier in July, while an e-book reader, Eucalyptus, was temporarily blocked in May. Though only meant as general-purpose reading software, one of the books available for Eucalyptus is the Kama Sutra, a centuries-old Indian religious text that Apple deemed “inappropriate sexual content.”
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GLAAD: `Bruno’ reinforces negative gay stereotypes
(Los Angeles) The Gay & Lesbian Alliance Against Defamation said that “Bruno,” the new film starring Sacha Baron Cohen, reinforces negative stereotypes and “decreases the public’s comfort with gay people.”
GLAAD president Jarrett Barrios, who saw the film Friday, said that “the movie was a well-intentioned series of sketches - some …
Tags: Amp, Bruno, Film Starring Sacha Baron Cohen, Gay Lesbian, Gay People, Glaad, Jarrett Barrios, Lesbian Alliance Against Defamation, Negative Stereotypes, New Film, Sacha Baron Cohen, Sacha Cohen, SketchesBrüno’ Actor Shucks Clothes for Gay Mag Cover

Homophobic Film Ever Made?” That’s the blurb on the cover of Attitude, a British gay magazine, where comedian Sacha Baron Cohen, posing nude to promote his new film, appears.
The film in question–and the name of the character, whom Cohen continues to portray in live promotional appearances–is Brüno, in which Cohen plays a gay fashionista seeking redemption during a global road trip.
The production reportedly drew trouble for Cohen, who was arrested several times during the shoot.
But the film’s reception has also been mixed, with dubious and even hostile reactions coming from the GLBT community.
Though the film reportedly seeks to skewer homophobia, some GLBT equality advocates worry that “Brüno” will actually threaten social progress made by gays in the last several years by presenting audiences with a flamboyant gay character.
A July 1 article at the UK newspaper The Daily Mail reported that Cohen’s appearance on the cover of Attitude was meant to “appease” gay audiences.
The article pointed out that Cohen also appeared nude on the cover of GQ magazine.
Last month, Cohen appeared at the film’s London premiere in character, and in a revealing costume that riffed on the traditional uniforms of the Queen’s Guards, drawing headlines in the process. See Brüno’ Actor Shucks Clothes for Gay Mag Cover
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Original Bruno ending involved violent gay bashing
(WARNING: SPOILERS)
According to Movie Line, the original ending planned for Sacha Baron Cohen’s new movie “Bruno” involved a violent gay bashing. Though the ending has since been changed, audience members for a February screening of the movie say that the film ended with Bruno (Cohen) and his assistant Lutz (Gustaf …
Tags: Audience Members, Bruno, Gay Bashing, Gustaf, Lutz, New Movie, Sacha Baron CohenGLAAD asks studio bosses to add positive message to ‘Bruno’ San Francisco Chronicle
America’s leading gay rights group is asking the studio heads behind Sacha Baron Cohen’s new movie “Bruno” to add a tolerance message at the end of the film because activists fear the funnyman’s stereotypes in the film go too far.
The Gay & Lesbian Alliance Against Defamation claims Cohen uses every negative gay stereotype in his portrayal of outrageous Austrian Bruno, and leaders feel executives should make amends for the movie’s depiction of gays by adding a positive message at the end.
GLAAD spokesman Rashad Robinson tells Eonline.com, “We have very mixed emotions about the movie. Those of us who saw the film agreed that you can’t critique it as a single film because it’s more like 90 minutes of individual sketches. Some are funny and hit their mark but others hit the gay community instead.”
Universal studio bosses have refused to add the pro-gay message.
A statement from the studio’s press office reads, “Bruno uses provocative comedy to powerfully shed light on the absurdity of many kinds of intolerance and ignorance, including homophobia.”
But Robinson insists, “This movie does not unmask stereotypes. … As someone who sat at the back of a focus group audience … I felt they were laughing at us at times.”
See GLAAD asks studio bosses to add positive message to ‘Bruno’ San Francisco Chronicle
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Bruno: Satire, Humor and Stereotypes
See Bruno: Satire, Humor and Stereotypes
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Sacha Baron Cohen: The men in his life
His latest alter ego, a gay Austrian fashionista, is already hailed as a work of genius. But can Sacha Baron Cohen ever just be himself?
Photo: Sacha Baron Cohen as the fashion journalist Brüno
They didn’t know, the Alabama National Guard. Never realised that allowing a German documentary-maker into their high-security training camp 65 miles east of Birmingham would go so wrong. They certainly couldn’t have guessed, when they agreed to let him take part in training, that this curiously effeminate man would adorn his US military uniform with a white D&G belt, or strip in front of a locker room-full of crew-cut squaddies to reveal a camouflage thong.
Ron Paul didn’t twig, either, that a TV interview that was supposed to be about Austrian economics might end in a candle-lit hotel bedroom, where a blond male journalist would proffer cheap champagne before attempting to seduce him. Never, in his wildest dreams, could the 73-year-old hero of the Republican right have envisioned that a predatory homosexual would have the gall to suddenly drop his trousers. That’s why Paul ran away shouting: “This is ENDED!”
Then there was the crowd lured to a fairground in Fort Smith, Arkansas, on the promise of one-dollar beer and “blue-collar brawling”. They expected to spend the evening watching good, old-fashioned fisticuffs. Instead, the cage-fighting took an unexpected turn when a contestant called “Straight Dave” and his opponent stopped wrestling and started, in the words of a police report, “stripping down to their underwear, kissing and rubbing” each other.
How could that crowd have guessed? How could they possibly have realised, in a town where men are men and “gay” is a form of insult, that a pair of tough-guys would start canoodling, and force them to watch? Little wonder they promptly started a riot. Whoever you happen to be, what other emotion, except extreme anger, is the natural reaction to being “punked” by Sacha Baron Cohen?
It’s been a while, now, since this ludicrously talented British comedian burst onto the scene. A decade since his character Ali G first demonstrated that you can make highly intelligent people say incredibly revealing things by asking them the stupidest questions imaginable. Three years since his Kazakhstani alter ego, Borat, toured Middle America exposing staggering levels of misogyny, anti-Semitism, and public ignorance.
But now he’s back. This summer, Baron Cohen will complete his trio of “mockumentary” films with a movie following the flamboyant exploits of Brüno, an outrageously camp fashion reporter from Klagenfurt, whose “MeinSpace” page proudly declares: “If I vas a Starbucks drink, ich vould be a tall, skinny Austrian mit a great personality und a really big brains.”
The film boasts the extended title Delicious Journeys Through America for the Purpose of Making Heterosexual Males Visibly Uncomfortable in the Presence of a Gay Foreigner in a Mesh T-Shirt. That pretty much sums up what the film is about. Firstly, Brüno’s preposterous vanity will expose the excesses of a fashion industry (and celebrity culture) obsessed with body image and consumerism. Secondly, his overbearing homosexuality will be used as a tool to generate, expose, and thus satirise public homophobia.
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