Hell’s Kitchen anti-gay attack prompts concern about police

UPDATE: NYPD has agreed to begin an investigation. Gothamist has details about the incident:

This past Friday night, WPLJ DJ Blake Hayes, cabaret and Broadway performer Danny Calvert and another friend were walking down 9th Avenue in Hell’s Kitchen when a cigarette butt was thrown at them by a man outside …

A Brutal Gay-Bashing In ptown

Andrew Sullivan reports: “I was shocked tonight to bump into a new friend, Mark, hobbling down the street. I was about to make a joke as I rode up behind him on my bike and then saw his face. It was a blur of blood and bruises. Friday night, he was leaving the Atlantic House - an historic gay pub in Ptown - when a group of three local kids hiding in an alley-way to target gays threw a bottle at his face and called him a faggot. He threw the bottle back and then they set upon him. He’s not a slight guy, he’s strong and built and bearded. But he was clearly reeling from the assault and will return to the hospital tomorrow. The cops apparently responded heroically and after a chase captured the assailants.” See A Brutal Gay-Bashing In ptown

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Humpday Isn’t Really About Gay Sex

Lynn Shelton’s Humpday, a sexual sitcom, opens with a pair of breeders in bed. A youngish married couple, Ben (mumblecordeon Mark Duplass) and Anna (Alycia Delmore), confess they’re too tired to procreate that night and then confess their mutual relief. As if in response, the doorbell rings at 2 a.m. and Ben’s long-lost college buddy, Andrew (Blair Witch Project survivor Joshua Leonard), stumbles in from deepest Mexico. Anna, who has never had the pleasure, watches the unexpected bromantic action with grim incredulity. Aggressively loud, demonstrative, and hairy, Andrew is a credible representation of Ben’s id.

Reuniting an uptight married man with a footloose old pal, Shelton’s third feature offers a (much) more extreme version of Kelly Reichardt’s Old Joy, also a sort of buddy movie, also shot in the Pacific Northwest. In this case, the lost weekend is steeped in sexual anxiety. Friday night, Ben has to retrieve merry Andrew from a house called “Dionysus” — home to a bi cutie (the director herself) and an omnisexual assortment of roisterers. No orgies, but plenty of stoned dancing. Anna, who has prepared her signature pork chop dinner, sits home alone. She stews; Ben gets stewed. Prompted by news of an amateur porn festival — sponsored by a local alt-weekly — Ben finds himself proposing to costar with showoff Andrew in a mad art project, dude-on-dude action, totally straight, yet somewhere “beyond gay.” Maybe they’ll be famous. The only problem: Just who is going to bone whom?

Having thus invested its protagonists in a game of “chicken,” played to justify their respective life choices, Humpday delivers some excellent situation comedy. The scene where Andrew and Anna have a get-acquainted drink and Andrew inadvertently exposes Ben’s boastful lie that his wife has signed off on their “project” is pure Honeymooners. (Bang, zoom, straight to the moon!) Ben can’t tell Anna why he wants to have sex with Andrew, only that it’s very, very important to him. And, terrified that Ben might think he really did have a yen, Andrew can only sigh, “I wish I was more gay.” Of course. Just as Brüno is more of a comment on celebrity culture than the love (or hate) that dare not speak its name, Humpday is actually less a queer comedy than a satiric view of macho. Appreciative as Shelton may be of her dudes, she has another agenda. Each in his own way, the guys have been freaked by a manifestation of assertive female sexuality — although the term “pussy-whipped” is never used.