End of the road for old-school drag queens

The old drag queen is dead; long live the new drag queen. As Jason Donovan dons a frock this week in the stage version of Priscilla Queen of the Desert, cabarets and clubs across Britain are dispensing with “old school” drag artists in their thick make-up, grandiose wigs and extravagant outfits. They are being replaced by a new generation of sassy and sophisticated young men in make-up who are rejecting the “misogyny” of the grotesque female impersonator.

It is a trend paralleled in the mainstream: Paul O’Grady, who gave life to the caustic Liverpudlian Lily Savage, has doffed his wig; Danny La Rue is long gone, and no one seems to be in the wings to take up their mantle.

And while wearing make-up and women’s clothes has been a springboard for a number of entertainers, they have tended to scale back their cross-dressing once established. Eddie Izzard, well known as a transvestite, now rarely appears publicly in women’s clothes and is increasingly known for his straight acting. Julian Clary, who used to perform as the drag artist Gillian Pie-Face, is these days much more likely to be seen in a sharp men’s suit and tie.

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